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Jeg vil skrive bloggen på både engelsk og dansk. Hvis du kan ikke forstå ordene, fortæl mig, og jeg vil forsøge at oversætte. Hvis du er dansk, vil jeg gerne fortælle dig, jeg endnu er ved at lære sproget, og mit dansk er ikke særlig godt. Hvis du gerne vil hjælpe mig med ordene, det er rart og tak for det. Min email er somedayashtrays@gmail.com.

This blog will be written in both English and Danish. If you, as a reader, have trouble with one of those languages and would like a translation, please let me know, and I will do my best to oblige. If you are a Danish reader, please know that I am just learning, and my Danish is far from perfect. If you would like to suggest corrections please do so. Email me at somedayashtrays@gmail.com.

14 August 2008

PDX Pop Now! II

--This is Part II. Read Part I first.--

Saturday I skipped the early afternoon, choosing instead to go to the Farmer’s Market and do some other things I can’t remember, and arrived at the festival a few minutes prior to the beginning of Bodhi’s set at 4:50. (I remember this time because I initially planned to come around five, but was told to arrive earlier so I wouldn’t miss them.) No regrets there; it was awesome.

But I’m going to be very blunt here and say that (perhaps as a caution to future concert-goers?), at first glance, Bodhi looks like three people who all wanted to play music, and couldn’t find anyone else, so even though they had nothing in common, they decided to form a band together. Or maybe you could guess they started as a random group of musicians thrown together in one of those crazy 48-hour band project things… That is what Bodhi looks like. But what they sound like is completely different. They sound like a real band. A real good band. The apparent mismatch is gone; the instruments fit together so well I had trouble telling them apart. It was really tight, really good, and I almost felt guilty, being there and hearing it.

Erin, the drummer… clearly having a really good time. Usually you don’t hear much from drummers, but she had a microphone (or else her voice really projects) and we got commentary in between every song, including, at one point, her urging everyone to “get drunk--” then, I guess in recognition of the fact that it was an all-ages event “--if you can. …Or if you can’t.” Kind of ridiculous, but also -- regardless of whether I did or didn’t follow her advice (I didn’t) -- the kind of thing that makes me love live music. You just don’t get that kind of stuff on a record.

After Bodhi was A Ghost’s Face Two Inches from Your Own Face, which, to be honest, is a bit too loud and fast for my liking. I’m so out of touch these days with that kind of stuff that I don’t even know in which genre to classify them, but technically I think they were probably pretty good. The crowd sure seemed to enjoy it.

Then, back inside for Eskimo & Sons, performing with their new horn section. Much more my kind of music -- lately I seem to be drawn more and more to strings and horns. To my sadness, I was annoyed through most of their set. I don’t know why this happened, and it doesn’t make any logical sense. I enjoyed it a great deal -- but at the same time, I kept wishing they would hurry up and finish. I wasn’t in a hurry to do anything else, and I wasn’t particularly excited for any of the upcoming bands (in fact, I entirely skipped the band immediately following Eskimo & Sons, instead walking to one of the produce row outlets and watching a friend engage in unsafe eating practices). My primary goal Saturday was actually to see Eskimo & Sons. I don’t know what went wrong with me; certainly there was nothing wrong with them.

Before leaving Saturday, I also saw Reporter. Maybe this isn’t a comparison I should make, because I’ve never heard their current incarnation on record and I never saw the previous one live. Regardless, I’m going to say it -- I may be the only person in Portland who liked them better as Wet Confetti. I think they’re probably pretty good, but, as with A Ghost’s Face, I don’t really like it. That’s all I’m going to say.

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